I’m not foolish enough to call John Cheever a feminist writer. He was typical of “greatest generation” men. He had the privilege. He assumed that fame and wealth gave him access to easy sex from pretty young things. The fact that many (most?) of the pretty young things were men doesn’t exactly make him a gay icon (especially since he was in the closet). However, like the producers of Mad Men recognized, John Cheever wrote about men and women in the 1950s and 1960s in an honest way and that definitely welcomed feminist interpretations.
Also one of his most memorable characters from this era was named Joan Harris. And she shared more than a few similarities with the Mad Men character.
So in these articles, I definitely talked about the gender roles that popped up in these stories.
First, there’s “The Summer Farmer” in which the protagonist engages in some manly farming as a holiday away from his dreary emasculating office. He’s also a WWII veteran which was not nearly as impressive in the 1950s as it was later. This is not a favorite, so I came up with several possible ways to approach the story. I went to grad school!!! Can you tell?
"The Summer Farmer" (The Stories of John Cheever)
Independence Day depicts space vaginas opening up to castrate phallic towers. In order to defeat the space vaginas, the men must find their manhood. Will Smith marries the stripper. Jeff Goldblum gives the mothership a virus. Bill Pullman makes a big speech and decides to kill them all. Randy Quaid, probe rape victim, symbolically assaults the alien shi…
Then we have “The Torch Song” which I loved. Although I did push back against other critics who see Joan as a destructive force, a witch, a vampire, etc. Those interpretations are fine, but I think a better one is that the mediocre perspective character fears her because he’s such a loser, and if he’s failing at life, she should be dead by now. Only she survives all the mediocre men stronger than ever.
"Torch Song" (The Stories of John Cheever)
Cheever's choice to tell the story of Joan Harris from the unreliable perspective of Jack is brilliant. Without Jack, Joan Harris's story is mundane. She moves to New York, finds a career, dates broken men and stays up late. Through Jack's eyes, Joan is a symbol of innocence, an ominous mystery, and finally, the angel of death. Jack doesn't understand J…
And finally we have “The Pot of Gold,” which is more about capitalism and trying to make than about gender roles, but the story does end with the protagonist going “I love my wife” as if that’s better than all the money that he lost out on. It’s pretty saccharine.
"The Pot of Gold" (The Stories of John Cheever)
This story is too clever and well-constructed. There's just enough to want to love it, but not nearly enough to remember. The first line sets the tone perfectly: “You could not say fairly of Ralph and Laura Whittemore that they had the failings and characteristics of incorrigible treasure hunters, but you could say truthfully of them that the shimmer an…
Anyhow, if you haven’t read these articles, enjoy. If you’ve read them, read them again. You might like them better the second time.
Since Sukkoth starts tomorrow, I probably won’t have a new Cheever article for you, but I went to see a few writers read including Catherynne Valente who remains one of the best fantasy/science fiction writers of the 21st century. Definitely buy Space Oddity. What she read was hilarious.
I’m also a fan of Nathan Rabin from back in his AV Club days. Buy his book on Juggalos and Phish Fans. It’s really great.
Finally, work is still slow. If you like me, please consider hiring me to edit your novel or write your term paper. Or get a paid subscription. Or you can contribute to my gofundme.
Joan Harris stories and they're written by Cheever? Great. Thanks.